Answer the following question in 3-4 complete sentences.
Define the terms overlapping and foreshortening. How has Andrea Mantegna used these two concepts to create the painting above entitled, The Lamentation over the Dead Christ?

Answer:

Overlapping is when one part of a shape or form is placed in front of another, Foreshortening is a technique that make a form appear to move back in space. In Mantegna's piece, The Lamentation over the Dead Christ, he used overlapping to provide the depth to the room, and to show the image of Christ on top of the bed. By using foreshortening, the artist was able to make the body of Christ lay horizontal, and therefore receding into the background. This technique also allowed the other figures on the left to be positioned specifically by his waist, while his chest and head appear behind the figures. Mantegna created great depth using these techniques.

Explanation:

Found on Quizlet! Not mine.

The technique of overlapping in a composition is how all of the parts in a drawing, painting, or photograph overlap each other to give the illusion of a third dimension. Foreshortening is the distortion that occurs when we sketch the human body in space, particularly from an exaggerated, or extreme, point of view.

At its most basic, foreshortening is a perspective technique that allows the artist to create the sense of objects receding into the distance. Any artist can make a topic appear further away by shortening it. This technique aids in maximizing the dimension and depth of drawings or paintings.

Mantegna employed overlapping to create depth in the chamber and to show the image of Christ on top of the bed in his piece, The Lamentation over the Dead Christ. The Mantegna was able to make Christ's body lay horizontally, receding into the background, by applying to foreshorten.

Learn more about Mantegna here:

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