One characteristic of beauty in many seventeenth-century landscape paintings that can be described as picturesque is the use of the Sublime. The Sublime was a concept popular in the eighteenth century that was seen as being able to evoke awe, terror, and a sense of the awesome beauty of nature.
The term "picturesque" is often used to describe seventeenth-century landscape paintings and is defined as an aesthetic quality of beauty, often found in irregular and rugged terrain. This aesthetic quality was particularly popular during the mid-17th century, when the Picturesque Movement was taking place.
This concept was often used in landscape painting to create a feeling of awe and wonder at the vastness and grandeur of nature. Additionally, the use of the Uncanny or Grotesque was also popular in landscape paintings of the seventeenth century.
The Uncanny or Grotesque was a concept that sought to create a feeling of unease, surprise, or shock. The use of these two concepts, combined with the use of the Picturesque, were often seen as creating a sense of beauty in seventeenth-century landscape paintings.
To summarize, one characteristic of beauty in many seventeenth-century landscape paintings often referred to as picturesque is the use of the Sublime, the Uncanny or Grotesque, and other aesthetics to evoke a feeling of awe and wonder.
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